This November - Opera with High Tea

  • Posted on: 2 September 2017
  • By: admin

After the success of last year's High Tea concert, Heber Opera will once again be combining sublime music with delicious cakes for a fabulous afternoon of entertainment. This time we are expanding the program to include two dates in November at Hassocks and Hurstpierpoint.

The afternoon program consists of a delicious sandwich of two halves of fabulous opera separated by afternoon tea prepared and served by the Heber team. Last year's tickets sold like hot cakes so be sure to book early by following choosing the Next Production option from the menu or click here. If you prefer to phone, please call 01435 866737.

A Fabulous First Weekend for Faust!

  • Posted on: 22 May 2017
  • By: admin

After months of preparation, Heber Opera's new production of Faust opened this week. This year's run got off to an early start with a Wednesday performance at St George's Brighton and the select audience that braved the rain gave us a warm reception. First nights are often a tricky affair as the cast and crew finally get to realise their vision for the first time and the performance space at St George's brings its own challenges. In spite of that it was a great show; the principal singers were fabulous and it was fantastic to have Veronica Brooks and Tim Crouch back performing with Heber as Faust and Margerita. Stephen Hawksley makes for a magnificent Mephistopheles and Nicholas Forrest battles evil superbly as Valentine.

Margerita

On Saturday the show moved on to Lindfield which is a great little venue, full of character. The acting space is small and the entrances narrow but the crowd is always warm and welcoming. The Heber orchestral ensemble are on top form this year and Michael and Dorothy Wither's adaptation of Gounod's score gives them excellent matierial to work with.

Valentine

We had our largest audience of the run so far at Hurstpierpoint on Sunday and there is nothing like a big crowd to fire up the chrorus. The whole cast worked hard to make our Second World War setting of the piece a dramatic success and the fabulous audience played their part too. With the last show of the weekend under our belts it was off to the after show party for a well earned celebration.

Valentine

The best thing about the end of the first week is that we still have three more shows to look forward to and there are still tickets available....

To book tickets please click here.

Paper to Wood

  • Posted on: 11 May 2017
  • By: Jan Barger Cohen

This is the fun part, painting my design. I've primed the wood and painted the black areas with enamel. After some colour tests I've decided to use acrylic paints for the rest of the sign - my brief is for it to be gold on black, but I've added some blue and red. Nearly finished! The calf's eyes seem to stare at me as I work.

Paper to Wood

Dropping in to Rehearsals

  • Posted on: 9 May 2017
  • By: Chrissie Berridge

Pavilion

It was all go when I dropped in to last night’s rehearsals for Heber Opera’s production of Faust. The evening carried all of the usual hallmarks – a Director with a critical eye, a Musical Director with a critical ear, a patient pianist, a chorus with pockets full of crib sheets, and principals gamely playing to an invisible audience. Add a smattering of props and costume, and a lighting technician getting the gist of it all, it was all running to plan./p>

Pavilion

I’ve spent the last 20 years working backstage on over 80 shows, and I’ve seen a lot of rehearsals in that time. I always enjoy these last few sessions when show-time is just over the horizon. Though I'm sure for cast at crew it all must seem horribly close to curtain up it should fuel the necessary adrenaline. These run-throughs are the skeleton to the fully fleshed production that the audience gets to see. The Director nips and tucks it all to perfection or as close as possible! With just under a month to go Faust is coming together. Watching I got those shivers of excitement as the story unfolded. You can’t beat the power of the voice and the music, particularly with opera. There is a little more tweaking to go yet, after all the Devil is in the detail!

Pavilion

Lines & Letters

  • Posted on: 27 April 2017
  • By: Jan Barger Cohen
Thinking with Pencil

To get my angles and lines and curves right I have drawn a more precise sketch on A4 graph paper, which I will enlarge to A1 and use as my guide when working on the wood. Drawing the letters on a curve is challenging - even though I was once a professional calligrapher, I expect the letters to be the hardest part. I've based my lettering on the Albertus font, which was in use in the 1940s when our production of Faust takes place.

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