Verdi thought that one of the tunes in Rigoletto would be so popular they’d be whistling it in the streets – so he didn’t give it to the singer until just before the dress rehearsal. Want to know which one? Watch the video to find out.
Still time to buy tickets for the performances in May. See Box Office for availability.
The Carverhills have sung with Heber for a while now - most recently in Faust when Dave was the air-raid warden and Liffey the landlady of "The Golden Calf". They are a lovely sociable couple and we really enjoy having them with us, not only for the enthusiastic way they enter into any given project but also because they regularly create cocktails for the cast dressing-room ( substituting this for mulled wine at our annual sessions of carol singing for the Bluebell Railway)!
Dave and Liffey tripped over each other in Zambia, where they were working for the copper mines. There they enjoyed an eclectic (aka random) theatrical experience including madrigal singing, barbershop and performing in and eventually directing a variety of shows including The Prime of Miss Jean Brodie, The Wizard of Oz, Godspell and Oklahoma. They moved to South Africa where they continued to sing (Johannesburg Bach Choir) and perform in a musical theatre company. After 13 years in Africa, they finally became homesick and returned to the UK, where they have sung with Worthing Philharmonic Choir, Worthing Operatic, Wandering Minstrels and are now happy members of Heber Opera, Coro Nuovo and East Sussex Bach Choir (for a restorative dose of baroque singing).
photo: Nick Ford
One person who Heber would be hard pressed to replace is Tim Nail our regular rehearsal accompanist.
A talented player and composer in his own right, Tim has been with us for some years now, through the good times and the days when things don’t go so well. Good repetiteurs are hard to find and always in much demand so we are indeed fortunate that Tim can continue to fit us into his busy schedule.
Sitting at the keyboard throughout every rehearsal Tim does everything from “note-bashing” individual lines during the preliminary learning process of a piece through to acting as a one man orchestra when we reach the stage of rehearsing complete runs of an opera. When we initially decide on an opera and present Tim with a score hot off the press he will often just remark “ Umm, there are a lot of notes! “ before sitting down and starting to play from sight. As someone who never mastered any instrument apart from basic recorder and the kazoo, I am in awe of such musical expertise.
Not only our valued repetiteur, Tim has also conducted Heber Opera performances of ‘Acis and Galatea’, ‘Savitri’ and ‘Suor Angelica’.
Tim was born in Wiltshire and grew up in Scotland where he studied music at Glasgow University. He went on to study music therapy at the Guildhall School in London before moving to Sussex where he now lives with his partner. Working extensively in the south east as a teacher, accompanist and repetiteur he also composes, and has written a Mass, a Requiem, a short one-act opera, several choral pieces and solo songs. He works with the Brighton Chamber Choir (who will perform Rossini’s ‘Petite Messe Solennelle’ on June 16th at St.Nicholas Church), the Brighton Gay Men’s Chorus for which he does a lot of arranging and also with Neil Jenkins and his ensemble the ‘NJ Chorale’. He has performed with Stefan Holmstrom and his ensembles ‘Resound’ and ‘Rebelles’ and recently accompanied Stefan for a song recital featuring the works of Faure, Sibelius and Vaughan Williams which was very well received. A regular pianist at ‘Jackdaws Educational Trust’ in Great Elm, Tim works with Penny Jenkins and these two will be performing at Bramber Church on June 3rd. Tim also works as the accompanist for Shoreham Oratorio Choir with their MD Marc Yarrow.
March 2017 saw the first performance of his ‘Stabat Mater’ by the Brighton Chamber Choir conducted by the composer. It was written for female voices and 4 instruments (cor anglais, french horn, ‘cello and harp) and was very well received.
Tomorrow is our last full rehearsal before dress and we are putting the finishing touches onto the production. Don't forget to book your ticket for the venue of your choice - they are selling out fast!
|Rigoletto & Duke with Ceprano|
|Set - table ready for play|
|Rigoletto contemplates the curse|
|Sparafucile the contract killer|
|Sparafucile explains his work to Rigoletto|
|A sleeping Gilda is unaware she is about to be kidnapped|
|Some fiendish plotting|
|Marullo dupes Rigoletto|
|Ceprano's revenge is in sight|
|Giovanna has not been doing her duty!|
Richard has enjoyed singing operatic roles for the past 30 years or so and has appeared in a wide variety of shows with around 20 amateur companies in areas such as South London, Surrey, Kent, Berkshire and of course here in Sussex. He has sung in 6 productions with Heber Opera, most recently in Dvorak’s “Rusalka” when he gave a very moving portrayal as the Water Gnome.
We are delighted to have Richard ( or Dick as we know him) back with us for our forthcoming production of Verdi’s Rigoletto when he will perform the role of Monterone, a respectable and honourable gentleman whose young daughter has been badly treated and abandoned by Duke. Denouncing Duke as a lewd scoundrel and seeking justice for his daughter Monterone is mocked and treated with great disrespect by both Duke and Rigoletto and consequently delivers a curse on the two men. Duke shrugs it off but the curse deeply affects Rigoletto and becomes the over-riding theme of the events that follow.
Rehearsals are well under way for our May production of Verdi’s Rigoletto. Having had around six weeks of familiarising ourselves with the music we have now taken “to the floor” and started to move the action.
This is always a tricky time initially, as instead of sitting in our separate voice sections with the music in hand and Michael our musical director standing right in front of us to give us our leads we now have to think about positioning, using the floor space, reacting to the drama that is unfolding and trying not to trip anyone up.
Gradually the actual scores will be put down as musical memory muscles kick in, and hopefully attention can then be really focussed on projecting the story by gesture, expression and movement.
It has only been a couple of weeks so we are still in the early stages of production but already characterisations are starting to form. We begin to differentiate the “goodies” from the “baddies” and understand the nuances of the plot a bit more.
Here are a few photos from the second week of floor rehearsal which have been taken by Ruth Harper, the daughter of Jo, one of Heber’s regular performers. Ruth is currently studying for her GCSEs and is hoping to go on to study media and film at college.
Nick Forrest has been a mainstay of Heber Opera since its very first production. That was Benjamin Britten’s “Rape of Lucretia” in which Nick took the challenging role of Tarquinius, the Spartan prince who was infamously credited with the act that named the opera ! The music was not particularly easy and I remember we had a visiting singer for that show, who, during rehearsal for a particularly tricky ensemble was heard to say- in less than encouraging tones- “Well, if we are going to get this wrong then let us at least sing it quickly and get it over with as soon as possible” Ah, there have been some memorable quotes over the years!!
Since then of course Nick has become very well known to Heber supporters who appreciate the depth of vocal and dramatic characterisation he brings to every role. Whether tackling the lighter parts which include comic elements, such as Eisenstein (Die Fledermaus by Strauss ) or delving into deeply tormented souls such as Bluebeard ( Bluebeard’s Castle by Bartok ) or Verdi’s “Macbeth”, he always brings the same level of commitment, never holding back but putting 100% of his energy into bringing characters to life.
Most recently he gave a very moving performance as Valentine, the honourable brother of doomed heroine Margarita, in last year’s production of Gounod’s Faust and is currently busy preparing for the challenge of getting under the skin of the title character in Verdi’s Rigoletto.
Recently retired from teaching ( Drama & Singing ) Nick is now a full-time singer and when not wearing his “operatic hat” continues to entertain audiences with his band, the ever popular and much in demand “Wilbury Jam”.
Away from music, Nick is a passionate follower of rugby union and cricket and in connection with the latter is currently having a wonderful time reading Henry Blofeld’s very entertaining autobiography “Over and Out”. Also known to enjoy sampling the odd glass of “real ale” Nick may be found after rehearsal frequenting the odd local hostelry with some of his like minded fellow “Heberites”. Singers do need to keep their throats lubricated of course!!