Tomorrow is our last full rehearsal before dress and we are putting the finishing touches onto the production. Don't forget to book your ticket for the venue of your choice - they are selling out fast!
|Rigoletto & Duke with Ceprano|
|Set - table ready for play|
|Rigoletto contemplates the curse|
|Sparafucile the contract killer|
|Sparafucile explains his work to Rigoletto|
|A sleeping Gilda is unaware she is about to be kidnapped|
|Some fiendish plotting|
|Marullo dupes Rigoletto|
|Ceprano's revenge is in sight|
|Giovanna has not been doing her duty!|
Richard has enjoyed singing operatic roles for the past 30 years or so and has appeared in a wide variety of shows with around 20 amateur companies in areas such as South London, Surrey, Kent, Berkshire and of course here in Sussex. He has sung in 6 productions with Heber Opera, most recently in Dvorak’s “Rusalka” when he gave a very moving portrayal as the Water Gnome.
We are delighted to have Richard ( or Dick as we know him) back with us for our forthcoming production of Verdi’s Rigoletto when he will perform the role of Monterone, a respectable and honourable gentleman whose young daughter has been badly treated and abandoned by Duke. Denouncing Duke as a lewd scoundrel and seeking justice for his daughter Monterone is mocked and treated with great disrespect by both Duke and Rigoletto and consequently delivers a curse on the two men. Duke shrugs it off but the curse deeply affects Rigoletto and becomes the over-riding theme of the events that follow.
Rehearsals are well under way for our May production of Verdi’s Rigoletto. Having had around six weeks of familiarising ourselves with the music we have now taken “to the floor” and started to move the action.
This is always a tricky time initially, as instead of sitting in our separate voice sections with the music in hand and Michael our musical director standing right in front of us to give us our leads we now have to think about positioning, using the floor space, reacting to the drama that is unfolding and trying not to trip anyone up.
Gradually the actual scores will be put down as musical memory muscles kick in, and hopefully attention can then be really focussed on projecting the story by gesture, expression and movement.
It has only been a couple of weeks so we are still in the early stages of production but already characterisations are starting to form. We begin to differentiate the “goodies” from the “baddies” and understand the nuances of the plot a bit more.
Here are a few photos from the second week of floor rehearsal which have been taken by Ruth Harper, the daughter of Jo, one of Heber’s regular performers. Ruth is currently studying for her GCSEs and is hoping to go on to study media and film at college.
Nick Forrest has been a mainstay of Heber Opera since its very first production. That was Benjamin Britten’s “Rape of Lucretia” in which Nick took the challenging role of Tarquinius, the Spartan prince who was infamously credited with the act that named the opera ! The music was not particularly easy and I remember we had a visiting singer for that show, who, during rehearsal for a particularly tricky ensemble was heard to say- in less than encouraging tones- “Well, if we are going to get this wrong then let us at least sing it quickly and get it over with as soon as possible” Ah, there have been some memorable quotes over the years!!
Since then of course Nick has become very well known to Heber supporters who appreciate the depth of vocal and dramatic characterisation he brings to every role. Whether tackling the lighter parts which include comic elements, such as Eisenstein (Die Fledermaus by Strauss ) or delving into deeply tormented souls such as Bluebeard ( Bluebeard’s Castle by Bartok ) or Verdi’s “Macbeth”, he always brings the same level of commitment, never holding back but putting 100% of his energy into bringing characters to life.
Most recently he gave a very moving performance as Valentine, the honourable brother of doomed heroine Margarita, in last year’s production of Gounod’s Faust and is currently busy preparing for the challenge of getting under the skin of the title character in Verdi’s Rigoletto.
Recently retired from teaching ( Drama & Singing ) Nick is now a full-time singer and when not wearing his “operatic hat” continues to entertain audiences with his band, the ever popular and much in demand “Wilbury Jam”.
Away from music, Nick is a passionate follower of rugby union and cricket and in connection with the latter is currently having a wonderful time reading Henry Blofeld’s very entertaining autobiography “Over and Out”. Also known to enjoy sampling the odd glass of “real ale” Nick may be found after rehearsal frequenting the odd local hostelry with some of his like minded fellow “Heberites”. Singers do need to keep their throats lubricated of course!!
Veronica’s love of singing began as a child and indeed her first professional engagement was at the tender age of 10 performing in a variety show that ran for the summer season. She started having singing lessons around that time and these eventually led her to the world of opera where we find her today.
I can remember Veronica from our early days with Brighton’s “ Wandering Minstrels” (sadly no longer in existence) when we sang together in various shows, predominantly Gilbert & Sullivan Savoy Operas and it is a particular joy to me to have followed her progress and the development of her voice over the years to the beautiful operatic soprano instrument that we hear today.
Veronica considers herself lucky to have been able to sing some fabulous leading soprano roles in opera such as the title roles in “Tosca” and “Lucia di Lammermoor”, Fiordiligi in “ Cosi fan Tutte” and Leonora in “Fidelio”. Last year she was stupendous as Margarita in our production of “Faust” and now in our May production of “Rigoletto” she will take the role of Gilda which includes one of the most famous of all soprano arias “ Caro Nome”. Veronica tells me this will be her 7th leading role in a Verdi opera!
Married to Andrew and with two lovely children Veronica currently lives in Hove. The world of opera however is never far from her thoughts as when she is not actually performing, her professional life is based at no less a place than Glyndebourne where she is Head of Human Resources. Surely that must be a dream job for someone with her love of music and singing!!
Heber Opera is delighted to welcome back Michele Restieux after a few years break.
She has been in much demand in the interim singing with Kentish, Stowe, and Southwick Operas and notably took the role of The Croupier in “Imago” at Glyndbourne. Most recently she appeared with Lewes Operatic Musical Theatre as Jack’s Mother in their production of “Into the Woods”.
Regular Heber supporters will of course remember Michele from productions such as Aida and her impressive performance as Amneris, the jealous rival for the affections of Radames. Then there was Eugene Onegin when she appeared as Olga, she was Moor of Moor Hall in the early English opera “ Dragon of Wantley” and appeared in another Verdi opera “ Masked Ball “ when she took the role of Ulrica.
Back to Verdi again with our forthcoming production of “Rigoletto” Michele will be wearing two hats as it were, because we have taken a slight break from tradition and combined the roles of Giovanna and Maddalena. As we worked through the plot when initially deciding how we would stage the opera, there appeared to be no reason why the characters should not be the same person, just doing two jobs under different names. Ie Rigoletto’s housekeeper in Act 1 ( Giovanna) and the lady of dubious morals (Maddalena) who attracts the Dukes attention in Act 2. It certainly adds another dimension to the story!
When she’s not actually performing Michele puts her vocal experience to good use practicing as an Holistic Therapist and she provides a unique treatment combining vocal technique and homeopathy. This year will also see the launch of her new summer school - Mirror Mirror Drama – to be run in collaboration with script writer Allie Packer. The workshop aims to provide 12 to 16 year olds with an outlet for their creative inspiration and includes sessions on scriptwriting, music, drama and production work.
This talented lady also tells me that she has British Standard Gold in Epee fencing and hinted that she is waiting for a role where she can make use of it !!. Now let me think………
The box office for our May production of Rigoletto is now open! This year's production promises to be one of our most exciting and challenging performances ever. The music is exquisite and we are anticipating a great deal of interest. There will only be 5 performances this year and we expect the tickets to sell rapidly so to avoid disappointment please book your tickets early!
|Sat 19 May||King Edward hall, Lindfield||7:30pm|
|Sun 20 May||Uckfield Civic Centre||6:00pm|
|Fri 25 May||St George's Church, Kemptown, Brighton||7:30pm|
|Sat 26th May||Steyning Centre||7:30pm|
|Sun 27th May||Hurstpierpoint Village Centre||6:00pm|
Tickets are available now:
Well, Christmas is done and dusted and we have seen in the New Year so its time to not only get figures but also tonsils back in shape as we start to get to grips with the music of Verdi’s “Rigoletto”, our production planned for May this year.
Last Sunday was our first music rehearsal and with a good turn-out of chorus members, Michael Withers, our musical director kicked off with a few vocal exercises to warm us up before opening the score and guiding us through a couple of the chorus numbers.
Tim Nail, our stalwart repetiteur navigated his way skilfully around an awful lot of notes which was all the more impressive as he had only been given the final version of the score that evening.
On the subject of scores, most of those readily available to purchase have very dated language so we decided (as for our previous couple of shows), to do our own re-translation in order to make the words more relevant to our time and hopefully this will all add to the finished production in due course.
We have a great line-up of principals:
|Count Ceprano||David Carverhill|
|Countess Ceprano||Liffey Carverhill|
All of the above mentioned have sung with Heber on many previous occasions and in fact most were involved as principals in “Faust” last year.
However, we are delighted to welcome back Michele after a few years break along with Dick Bacon and Derrick Nunn is bravely stepping out of the chorus to use his reliable bass/baritone voice in the role of Marullo.
For those of you who are unfamiliar with “Rigoletto” it contains some of the best known music in the Verdi repertoire providing the backdrop to a story of seedy glamour, seduction, a father’s love, revenge and ultimately tragedy. One thing is sure, as our regular supporters know, Heber does things differently so if you haven’t seen us before do come along and give us a try !!
We shall keep you up to date with progress and of course remind you when tickets go on sale! ( That’s 1st February if you didn’t already know!!! )